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SOUND DESIGN:
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Whether you are an amateur or
professional, you will want your production to have the best sound you
can afford. I realise this, and I will strive to produce high quality
sound within your budget. |
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PLANNING:
 | This involves us getting involved at the earliest
possible moment, discussing with the director, producer and MD what
their ideas are, visiting the venues and liaising with the local
technicians, coming to rehearsals, creating Radio Mic plots and
organising the sound effects. |
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Rehearsals:
| From the start of the get-in, my crew will set-up
the sound equipment and tune the system and check that all seats in
the house are covered. The band and cast will be sound checked (I
always have a session with the cast to inform them of Radio Mic do's
and don'ts) ready for the Technical. Sound Effects will be finally
plotted in the technical, and any notes acted on by the time of the
dress. The final sound 'Mix' will be rehearsed in the dress, and
notes taken for the first night. |
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Running the Show:
| During the run of the show, I will liaise with the
director, MD and producer and make changes as necessary. At the end
of the final performance, we will de-rig and pack the equipment
away. I also try to have a 'debrief' session after the show so that
I can improve our service for the next show. |
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| This is a series produced for Theatre
which puts the entire sound FX plot of a single show on a CD or
Mini-Disk. As well as the sound effects in cue order, I also provide on
most of the disks extra background sounds for you to use as necessary.
Where I have created effects using several sounds. The idea is that you can use the
disks as they come.
As time goes on, I shall be adding to the list, and welcome your
suggestions as to further titles. I have often produced disks for
specific companies, charging them only the usual fee as I can them add
them to my list. |
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OTHER INFORMATION:
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